Caribou mainman Dan Snaith puts on his DJ-friendly Daphni hat to return the Holden remix favour with the sort of idiosyncratic blend of pitched-about vocals, fidgety garage revival beats and psychedelic synths that only he can get away with. Zombi band man and L.I.E.S. affiliated synth superstar Steve Moore meanwhile takes the flipside in an altogether more smooth direction, with a decidedly deep rework that places everything in its right New Age place.

Released on highly collectable marbled grey 10″ vinyl (remixes only) and all digital formats on 10th June: pre-order your own mystical vinyl artefact from Bleep today.

The pair are live specialists too, and have played all over Europe recently as well as turning in a brace of remixes for Daniel Snaith’s might Daphni moniker. True to form, they continue to confound expectation on this latest 12”, serving up three epically rich tracks that combine analogue workouts with dub techno rhythms and coming backed with a Prins Thomas remix.

First track Fank1 bubbles and boils on a huge, almost edgeless kick drum as a grubby guitar riff curls its way through the middle of the track. From there an eco system of fried synths decorate the backdrop as the soft, pillow-y bed of dub continues to ebb and flow below.

Alt is hooked around an uneasy pattern of chords. It’s backed by tasteful, sporadic African chants and drums so lively they could only have been played live. It’s a slow burner, but eventually consumes your being in a way that anyone from Âme to Ricardo Villalobos might champion.

The remix comes from Norwegian disco heavyweight Prins Thomas. At ten minutes long it’s the very definition of an epic journey. Jangling synth lines dance around the loose drums, distant swirls of cosmic air add a huge sense of scale and all the while you’re just left listening in wonderment to the unfolding tale around you.

There are so many layers to margot’s music, yet it never sounds cluttered or over complicated, it simply soothes and amazes in equal measure. On this evidence, margot are heading on to big things in the not too distant future.

Room two is entrusted to the tender care of the Huntleys & Palmers Audio Club, transporting their Glaswegian Highlife concept for its first London outing, with Holden-approved favourites Awesome Tapes From Africa and the live stylings of Heatsick joining the Highlife residents to provide a tantalising counterpoint to Holden’s all night long explorations. Tickets are on sale now from Resident Advisor.

‘The Inheritors’ is due out on 17 June via Holden’s own Border Community label, and Holden will continue his all night long celebrations throughout the summer with a series of special sets at some of his favourite European clubs:

Wed 15 May Moog, Barcelona, Spain
Sat 18 May Trouw, Amsterdam, Netherlands
Fri 14 June Moog, Barcelona, Spain
Sat 15 June Corsica Studios, London, UK
Sat 13 July Mondo, Madrid, Spain
Fri 2 August Zukunft, Zurich, Switzerland
Sat 17 August Rex Club, Paris, France